2019 Akvo Inauguration. Group Performance, Galerie Foe, Munich, Germany.
2019 Universal data exploration of our digital presence. Biennale of Contemporary Art 2019 MaCaM, Beirut, Lebanon.
2019 Generation´19. 17 Video Portraits. Berlin Art Week, Studio Jorinde Voigt, Berlin, Garmany.
2019 Karl & Faber Preis der Stiftung Kunstakademie München, Group Exhibition Munich, Germany
2019 Untitled, Space Nouvelle, Innsbruck, Austria.
2018 Jorinde Voigt und Meisterschüler, The inverse Narrative
group exhibition, Städtische Galerie Eichenmüllerhaus, Lemgo, Germany.
2016 What people do for money, Zunfthaus Voltair. Manifesta11, Bienal Zurich, Switzerland.
2016 Notel Prinzregent, group exhibition, Hotel Prinzregent, Munich. Germany
2016 Polyphon, Group exhibition, Katholische Akademie in Bayern, Munich. Germany
2015 Controlled flow, Group performance Labor/ Leonrod Haus Munich
2014 The olive tree has died / Los olivos han muerto, Group Installation Faculty of fine arts Madrid.
2015, 2016, 2017, 2018, 2019 JAHRESAUSSTELLUNG Akademie der Bildenden Künste Munich, Germany.
Cabaret der Künstler Zunfthaus Voltair. Joint-ventures performances. Zurich, 2018 ISBN: 978-3-033-06351-8
Notel Prinzregent. Munich, 2017 ISBN: 978-3-932934-37-7
The most intimate contact between me and you, the greatest distance between all of us and all of you. The space that is built between, during, and where. Space where the formology of our actions is written.
In Eduardo Palomares’s artistic creation, there is a path that covers all possible forms of space definition. Spaces generated through human movements, actions, and fictions. The proximity to the most distant idea of divinity in a religious altar, the immensity of the narrow arteries of a city, or the straight line that separates two geographical irregularities. All, constructions and fictions that social interactions have raised in past and present contexts and how these collapse in the future.
Atelier, Akademiestr. 2-4 Munich, Germany
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